City of screens imagining audiences in Manila's alternative film culture
Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila, showing how the rising independent Philippine cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience.
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Format: | Electronic Resource |
Language: | English |
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Durham, North Carolina
Duke University Press
c2021.
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Online Access: | https://www.degruyter.com/document/doi/10.1515/9781478021254/html |